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JOHN DIGBY

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The Wave 10

9 x 6 3/4 in

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JOHN DIGBY:  ARCHIVAL COLLAGE

Collage Process:

 John Digby specializes in black and white collage. Unlike traditional collage composed of layered surfaces, his complex abstractions are composed of inlaid paper fragments that present a unified surface. His themes take inspiration from grace and harmony in nature, from the movement of planets and waves, to the complexity of the garden hedge, the  seaweed forest, the microscope slide. From the beautiful to the sublime he finds elegant poetic structures.

 Digby’s collage papers are themselves rich with textural imagery that he creates by paste and ink drawing as well as various techniques of abrading. Drawing with a scalpel, he shapes his composition. By the time he has cut and inlaid the many fragments that compose a collage, the papers are several layers thick and backed onto archival, long-fibered mulberry paper, producing a sturdy image that can be mounted in bas-relief.

 All of his materials are pH neutral and archival

Born: London, England 1938

Educated, Great Britain

Fellow, Zoological Society of London

 Select One-Man Exhibitions of Collage:

“Spirit of the Pinnacles,” Daegu, Korea 2006

 “A Rainbow of Butterflies,” Craven Gallery, Martha’s Vineyard, MA 2005

“Recent Collages,” Pavel Zoubok Gallery, New York, 2005

 “The Moon as Text,” Hammond Museum, August-October, 2004

“Collages and Drawings: A Personal History,” Alpan Gallery, Huntington,  NY 2003

 “Fish and Ships,” Saison Poetry Library, Royal Festival Hall, 2003

 “Homage to the Fallen,” Russian-American Cultural Center, New York 2002

 “Water Voyages,” United States Merchant Marine Museum,” Kings Point, NY  and Calvert   Marine Museum, Solomons, MD, 2002

“Archival Collage,” Europa, Brooklyn, New York 2002

“Natural Histories,” Lenz Gallery, Slippery Rock PA 2002

"Targets for the Millennium," exhibition and choreography, Tillis Center, LIU, 1999

"The Arches," Saint David's Hall, Cardiff, Wales, UK, 1999

Jain-Marunouchi Gallery, New York, 1999

Coincidence Gallery, Richmond, Virginia, 1999

HarperCollins Publishers, New York 1997

Byuk A Gallery, Taegu,  Korea,  1995

Royal Festival Hall, Saison Poetry Library, London, 1995

Suzuki Gallery,  New York, 1995, 1992, 1990, 1988, 1986

Capricorn Gallery,  Bethesda  MD,   1989,  1987,  1985,  1983,  1980

Forum Gallery,  New York,  1987

Andrew Crispo Gallery,  New York,  1985

Caravan House Galleries,  New York,  1980

The Francis Kyle Gallery, London,  1984,  1980 

The National Poetry Society of Great Britain,  London,  1979

The Thumb Gallery,  London,  1978

The Image and the Myth Gallery, Santa Monica  CA, 1976

 Collections:

Musée Rimbaud, Charleville-Mézières, France 

Special Collections, University of Delaware

Love Library, University of Nebraska-Lincoln

Heckscher Museum, Huntington  NY

Butler  Museum of American  Art,  Youngstown  OH

The Phil Desind Collection, Bethesda  MD

Arkansas Museum of Fine Art, Little Rock AK

Guild Hall Museum, East Hampton  NY

The Grolier Club  NY

Housatonic Museum,  Housatonic  CT

 Published Books:

Founder: Feral Press—a private, small press dedicated to limited edition publication of unique poetry and prose illustrated in black and white.      Caligula Books, London.  circa 1970

Archival Collage [monograph]. Oyster Bay: The Ragged Edge Press, 1998.

Fluttering with an Attempt to Fly.  Oyster Bay:  Ragged Edge Press, 1994.

From Dark to Light:  The Wood Engravings of John de Pol.  Roslyn: The Stone House Pr., 1989.

Inspired by Drink.  New York: William Morrow,  1987 (co-editor, illustrator and story writer)

Food  for Thought.  New York: William Morrow,  1987 (co-editor and illustrator)

Incantations.  Roslyn: The Stone House Press,  1987.

Miss Liberty.  New York: Thames and Hudson,  1986.

The Collage Handbook.  London: Thames and Hudson, 1985 (co-author).

To Amuse a Shrinking Sun.  London: Anvil Press Poetry, 1985.

Permutations.  New York:  William Morrow, 1985 (illustrator).

Sailing Away from Night.  London and Santa Cruz: Anvil Press Poetry and Kayak Books, 1978.

The Structure of Bifocal Distance.  London: Anvil Press Poetry, 1974.

 

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