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FLORA DAVIS
11 x 15 inches Copper and brass on panel 20 x 14 x 6 Clay, brass and sheet metal on panel 15 x 14 x 6 Inches, clay, brass and sheet metal on panel 15 x 17 x 4 Inches, clay, brass, copper and sheet metal on panel 33 x 11 x 3 Inches, Copper, Brass, and wax on wooden boxes 21 x 21 Inches, Aluminium, and brass on wooden panel 21 x 21 Aluminium and brass on wooden panel 16 x 15 Inches, Copper, brass and eucalyptus seeds on wooded panel 18 x 14 Inches, Copper, brass and dried weed on wooden panel 12 x 12 Inches, Clay, wax, copper, cloth, charcoal on canvas 12 x 12 Inches, Clay, wax, copper, cloth, charcoal on canvas 36 x 30 Inches, Clay, wax, copper, cloth, charcoal on canvas 42 x 42 Inches, Copper, Clay, wax, sticks, patina green on panel 18 x 18 Inches, Clay, wax, copper, patina green on panel 18 x 18 Inches, Clay, wax, copper, charcoal on canvas 18 x 18 Inches, Clay, wax, copper, cloth, charcoal on panel 18 x 18 Inches, Clay, wax, copper, cloth, charcoal on panel 18 x 18 Inches, Clay, wax, copper, cloth on panel 34 x 48 Inches, Clay, wax, copper patina green on panel 48 x 22 Inches, Clay, wax, copper, cloth , patina green on panel 20 x 14x 6 Inches, Clay, wax, pine needles and metal on panel 18 x 18 Inches, Clay, brass and sheet metal on panel 9 x 9 Inches, each clay, wax, sheet metal, brass , pine needles, sticks on panel 9 x 9 Inches, each clay, wax, sheet metal, brass , pine needles, sticks on panel 18 x 18 Inches, Clay, wax, leaves on panel 11 x 14 Inches, monoptype
11 x 15 inches Copper and brass on panel
Artist Statement:
When I take the time to look, the common becomes uncommonly
interesting. I experience beauty in a crow feather, the sound of
creaking eucalyptus branches, water running over stones, or the
patterns in the earth at my feet. Natural objects offer my senses a
rich and endless variety of patterns and textures.
No paint or brushes were used to create these pieces. Instead, I work
with my hands using clays, hot wax, leaves, sticks, stones, and metals.
In the end, I want the viewer to see the grit, the sand, to experience
an unfinished quality. Balancing this rawness with man-made materials,
I add pieces of rice paper with delicate fragile patterns, or metals.
These materials become symbolic of order woven into chaos
~~~~~~~USA~~~~~~~~
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